www.viceversaexchange.net









As an artist I am primarily interested in the body; how we move, where we move from and how we exist and respond to our environment, our landscapes (both internal and external). This is an essential place to navigate from. I work with site either creating temporary works as a response to place and I create video installations that capture something that exists out of real time to create another way of seeing, a different view or perspective. As an artist I am interested in the role of the ‘witness’, to witness from a place that is engaged in the moment and willing to always receive and to respond.
I am currently exploring the relationship between the body (the ‘live-ness’) and the word (recording a moment), how they co-inform each other, how to move the reader and word the dance. Text has become increasingly important as an element of my work, and is part of my ‘temporary’ pieces and my video work. Working with text also creates an opportunity to leave something behind.
I am studying my Masters in ‘research based practice’ at University West England, Bristol and beginning the recovery of my practice, remembering the body and mine and searching for (an)other, generous voice. This is motivated by an interest in ‘why people move’, where do we move from? I respond to these ‘sites’ or happenings as suspended moments. To recognise these as moments of beauty where something else happens, something that takes you out of yourself (un-selfing) and of finding ways to relocate it back into the world. These extended memories or moments of presence exist but are points of transformation that fascinate me.
My process, journeys and ramblings can be found in more depth at:
hello all vice versa participants,
well it has taken me a while but ..here it is : a snap shot in the studio taken by ilona hakvoort (preparation phase for 'ping pong' exhibition at APT gallery, london in february 2009).
i am very excited about VICE VERSA in realisation. ilona and i will come to bristol on the 3rd of june. we are very curious meeting you all and viewing places and word, exchanging thought en experiences.
also we are all looking forward to hosting aran and tamany here in groningen the week after our visit in bristol.
you will get the chance to see the academy minerva spaces, meet with allie altena (coordinator from the academy), visit 'het paleis', meet with all dutch artists and see their studios have a great meal together on the 11th at marian brugman's house etc. etc. etc.
so, let's ex-change!
best wishes to all of you
tanja
My area of interest lies within anthropological and ethnographical study. As an artist I engage with places and people, immersing myself within specific “situations” offered by the surrounding environment (anything from a scene at a local café to conversations shared between people), and developing what an ethnographer would call ‘field work’. As John Monaghan and Peter Just say in “Social and cultural anthropology”: “Ethnography is to the cultural or social anthropologist what lab research is to the biologist, what archival research is to the historian, or what survey research is to the sociologist”. Judging by these statements, I believe that the term “what practical research is for an artist” is equally legitimate.
I believe that self participation in the aforementioned “situations” is the most effective way of understanding the ways in which other people see the world and interact with it. Being able to observe the event first hand, I am able to record these interactions and explore their social and cultural implications. I choose to bring my observational research into my every day activities as, usually, I encounter the most significant social phenomena accidentally. This process automatically implies cross-cultural comparisons and contextual engagement with the spectacle in question.
Therefore, my methodology is based on social observation from which I gather information in several formats: photographs, diaries, digital sound, conversations, or interviews. Because of the previously defined methodology, my work revolves around projects in which I am required to actively participate, and whose ending results are unpredictable.